That’s where the handy dandy new Aputure AL-MW came in. And I wanted to do it in the easiest way possible. For this shoot, I wanted to experiment with some storm effects. We also used a projector, which was neat, but I’ll let you watch the video for those details.Īnother benefit of controlling your environment is being able to control the weather. The final light was a Source Four Leko through the back window at full brightness and manipulated in a subtle circle-like pattern to simulate headlights from other cars.įor this setup, moving lights is the name of the game. I had a crew member holding the reflector and spinning around to simulate a passing car. Then, we bounced another 300d off of a large 4×4 reflector. We swung this light back and forth on the end of a C-stand arm to create the look of passing streetlights. The light was up high and far enough back that it didn’t create any glare on the window. To pull this one off, I needed at least five crew members moving and altering lights to create the effect of passing cars and streetlights.įor this setup, I had an Aputure Lightstorm LS-1 gelled up with CTO (color temperature orange) to create an orange sodium-vapor glow. This was the most complicated but also the most rewarding setup. For this scene, I decided to add a fan just outside the window to create the effect of an open window on a breezy day. It helps to add some more practical effects to add more realism to the scene. This provided a nice, soft fill for the entire green screen, and it helped simulate some nice sunlight. I also bounced another 300d upwards at a poster board just above the driver’s window. ![]() ![]() It’s extremely easy to light - the only requirement is a nice, softly lit green screen outside the car window, and a little bit of specific shadow and light variation to create some movement.įor this scene, I placed an Aputure 300d at full brightness just outside the window. This is a really common element of the Poor Man’s Process. Lighting Gear Used in This Video Tutorial: The best part: it doesn’t have to cost a lot. This usually leads to better performances, better lighting, and overall better quality. You can add whatever color lights you want, you can add weather effects, and you can stop and start the car whenever you want - it’s the perfect way to control your driving scene. The main benefit of this technique is that it opens up a whole world of control. In this video tutorial, we tried all three. You can pull off the Poor Man’s Process by using a green screen and moving light fixtures or projector screens. ![]() One of the most popular is a technique called the “Poor Man’s Process,” and it is the best way for low-budget filmmakers to record driving scenes. Process trailers can be expensive, which leads many filmmakers to seek alternatives. ![]() Another car then tows this trailer, and the result looks like the actor is driving the car. The most common approach is using something called a process trailer.Ī process trailer is large enough to accommodate an entire car - and usually quite a bit of lighting gear. There are many ways to solve these problems, but many of them aren’t cheap. It’s hard to control the environments, it’s hard to get the best audio, and if you’re asking your subject to drive the car while performing your scene, it can be dangerous. Shooting car scenes is fun, and they’re a common request, so knowing how to pull them off is important - because they’re also difficult. However, you can do it without even starting the car. Scenes involving driving a car can be complicated to shoot.
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